Reflect

Reflect

reflect

„True Stereo reverb tail in REFLECT 2.5

The algorithmic reverb tail of REFLECT is now made with a true stereo processor – this means that the spatial position of the input signal influences the character of the resultant reverb tail. As a nice side effect the new processor gives you an even wider stereo panorama and increased resolution and density in the reverb tail.

To „warm up“ the reverb tail an improved modulation algorithm has been added too.

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Repro-1

Repro-1

repro1

„Repro-1

Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1.

Repro-1 is a fierce synth: hard working, raw sounding and immensely playable.

At first glance Repro-1 is simple and intuitive, but the clean and classic design hides a deep feature set capable of a wide range of sounds.
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Retrologue

Retrologue

Retrologue

„Virtual Virtuosity

The flexible, intuitive Retrologue 2 emulates the warmth and fatness of classic analog synthesizers. Three virtual analog oscillators and a first-class set of filters produce a wealth of rich, inspring sounds; its adaptable arpeggiator, powerful modulation system and FX rack help make Retrologue 2 the first choice for producers everywhere.

Classic virtual analog synthesizer optimized for low CPU load.
Over 700 outstanding presets covering classic analog synth sounds and beyond
Intuitive interface for fast, creative sound design
3 oscillators with up to 8 de-tunable voices alongside sub and noise oscillators
Arpeggiator with up to 32 steps and “Export to host” feature
24 first-class filter types

4 LFOs plus filter, amp and custom envelopes
16-stage drag and drop modulation matrix with Note Expression support
5 distortion modes including tube, clip, bit reduction and rate reduction
FX section with delay, chorus, flanger, phaser, vintage ensemble, reverb and 4-band EQ
3-band Resonator with 14 different filter configurations and integrated LFO“

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Retro Organ Suite

Retro Organ Suite

„Retro Organ Suite delivers in a very raw and personal way the sounds that define a near 100 year legacy of electronic organ instruments. Dating back to the early 1900s, a small and specialized group of manufacturers first designed and produced these elegant instruments as low-cost alternatives to wind-driven pipe organs for houses of worship and homes of the social elite. Later finding place in jazz ensembles, organs gained popularity in many genres of contemporary music through the mid 20th century. By the late ‘70s, due to the rapid pace of technological advancement and tastes, their popularity and commercial presence saw extraordinary decline. Since that time these instruments have seen some emulation in digital form, but their tangible beauty, the sounds of their raw mechanisms clad in wood and novel amplifiers have largely vanished, frozen in time on commercial recordings of old.“

the RISER

the RISER

theriser

„Stops Hearts. Tops Charts.

The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks.

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ROUNDS

ROUNDS

„ADVANCED SEQUENCE SYNTHESIZER

Design and sequence up to 16 different synth sounds
Analog and digital engines deliver a huge sonic palette
Unique key switch setup for on-the-fly re-sequencing

PARADIGM SHIFT

A REAKTOR-based synth that combines digital and analog synth sounds with complex, sequenced sound shifting capabilities. A near-limitless array of new sound and texture.

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Sahara

Sahara

„The first digital sampler for the rest of us: the Mirage defines an era of popular access to sampling technology • Thick, warm, gritty sounds from 8-bit DACs and a tiny 128kB of sample storage • Entire Ensoniq factory soundset: 179 original Mirage patches, plus custom Multis: Splits to recreate original keyboard splits, and Layers to take the Mirage sound in whole new directions • Extensive control set gives you the option to sculpt the sounds; or click “Vintage” to restore authentic 1984-compatible settings!

The Ensoniq Mirage was a landmark machine in the history of sampling. Before its release, sampling was strictly the purview of the very well-heeled musician: a Fairlight Series II cost £30,000 (the price of a house); a Synclavier would set you back between $25,000 and $200,000 (yee-ouch); and there were no alternatives.

All that changed in 1984. Two astonishing machines hit the market more or less simultaneously: the superb Emulator II snuck it at just under $10,000 and captured the hearts (and wallets) of mid-range studios and musos who wanted in on the sampling action but couldn’t stretch to a Fairlight. But if it thought it was going to steal all the limelight, it was wrong – because elbowing its way into the party like a scrawny punk rocker who no-one invited, here comes the Mirage“

Sample Tank

Sample Tank

SampleTank

„The ultimate sound and groove workstation

SampleTank 3 Standalone

What’s new in SampleTank 3.6.6

Additional SampleTank 3 instruments collections: 1 new collection available – Orchestral Percussion
Custom Shop feature: Browse, preview, purchase and download additional instrument collections
Favorites system: Star and store your most used instruments for easy recall
Improved interface: Browse and open instruments with your computer keyboard
Improved organization: Instrument libraries are displayed through easily viewed graphic banners

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Satin

Satin

satin

„Tape Construction Kit

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it…

But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‚one-shot‘ tape flanging possible.

Users familiar with analogue recording gear should instantly feel at home with Satin, and digital aficionados will also learn to love the magic of tape — Satin invites you to explore and find out for yourself.

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Schlagomat

Schlagomat

„SAMPLE SEQUENCER AND DRUM EXPANDER for KONTAKT

HYBRID DRUM AND SAMPLE SEQUENCER

Discover intuitive drum design and sample sequencing
Expand your creativity spectrum – generate Sound sets and Pattern randomly
Create ideas in no time – dive in a world of endless Sound

INTUITIVE WORKFLOW

SCHLAGOTMAT enables you to „roll the dice“ with random sounds and noises. Beat shreds, melody fragments, or wild Sound experiments will turn into new ideas – in no time.

You can import your own samples in the 11 existing sequencer-tracks.“

sound != music