Category Archives: Vienna Symphonic Library

Vienna Symphonic Orchestra: Uncertain Times

I

II

III

IV
(+air-Delay)

V
(D-Major Ripp F. Trebor 20th)

VI

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[Baumgartenhöhe – Steinhofkirche]

_

VI SE: Rehearsal I

Boesendorfer Imperial Close
Flute Ensemble
Chamber Violins
Trumpet Bb

Vienna Konzerthaus Schubertsaal

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Xylophone
Celesta
Harp 1
Bass Drum A
Gongs
Timpani A
Wagnertuba
Bass Trombone

Vienna Konzerthaus Mozartsaal

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Vienna Choir
Konzerthaus Organ
Bassoon Ensemble

Vienna Baumgartner Höhe Steinhofkirche

Tonica Fugata: Fugae 11 – 20

Fuga 11

Full Organ 2

Fugue Scheme 2

Fuga 12

Violin, Viola, Cello

ORF Großer Sendesaal

Fuga 13

Edinburgh

Fugue sheme: WKII C minor

Fuga 14

Una Corda Pure

Fugue Scheme 3

Fuga 15

Fugue sheme: WKII C minor

Fuga 16

Renaissance

Chapel

Fugue sheme: WKI C major

Continue reading Tonica Fugata: Fugae 11 – 20

Big Bang Orchestra

Big Bang Orchestra

“Have a Blast!

Massive “tutti” orchestra

Super-quick large orchestrations

Multiple microphone positions for stereo and surround output

1.5 GB FREE sample content (Download size: 0.5 GB)

NKS coming soon

How to get yours!

Please note that you need a ViennaKey (or other USB eLicenser, e.g., by Steinberg) to run the Big Bang Orchestra. Get one here!
Get ready to go big and bold with our brand-new orchestra – for free!

Providing a “tutti” orchestra is a first for Vienna Symphonic Library. We’ve recorded our entire Synchron Stage Orchestra playing together, all at once, with multiple microphones. Capturing the sheer power of a massive orchestra with the signature acoustics of Synchron Stage Vienna’s Stage A was one of the most riveting sampling experiences we’ve ever had. We’re so happy with the results that we want to share them with you – as a “thank you” to our worldwide community of music creators, and as a “welcome” to new users.”

Konzerthaus Organ

Konzerthaus Organ

“One of a kind

This is truly a first: The Vienna Konzerthaus Organ is the first sampled organ recorded in a concert hall, not in a church, thus blending perfectly with orchestral performances. Obviously, it is also the first instrument not recorded at the Silent Stage, and yet it adheres to our overall sampling concept since it has been captured in exactly the same space that provides the essential impulse responses for our revolutionary Vienna MIR reverberation and mixing engine. That space is the venerable Great Hall of the “Wiener Konzerthaus”, where the famous “Rieger Organ” was installed in 1913. Continue reading Konzerthaus Organ