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“Altus, the Voice of Renaissance
Often misunderstood and wrapped in mystery, the counter tenor is another milestone in Eduardo Tarilonte’s series of exceptional voices. Altus brings you a real counter tenor for your Renaissance and Baroque music productions, for films, documentaries, video games and new age music.
“AmpSimulator is a distortion effect that emulates the sound of various types of guitar amp and speaker cabinet combinations. A wide selection of amp and cabinet models is available.”
“Analog Lab
ULTIMATE KEYBOARD SOUND COLLECTION
Analog Lab 2 gives you instant access to over 5000 of the best designer sounds from the 17 authentic legendary keyboards in our critically acclaimed V Collection.
Imagine conveniently having all the keyboard and synth sounds you need for a gig or session all in one place on your computer. No racks. No stacks. Analog Lab 2 gives you streamlined tag-based access to 5000+ of the hottest presets from our award-winning V Collection of 17 faithfully modeled vintage keyboards—including combinations and effects. Each preset automatically maps the most important sound parameters to your KeyLab or MiniLab for intuitive tweaking and performance control, and you can easily custom map to any controllers via the MIDI Learn feature. You can even save the presets you need for a gig into a playlist to step through during your sets. Analog Lab 2 is also the command center for all your V Collection keyboards, giving you full editing access to any full instruments you own.
Everything you need for creativity and inspiration is right here in Analog Lab 2. Welcome to your new go-to keyboard sound collection.”
“Funky, rootsy analogue grunt • Switchable velocity capability • Classic tremolo, chorus and drive controls to tailor the sound”
“Anima features two wavetable oscillators, a flexible modulation section and the powerful arpeggiator and comes with hundreds cutting-edge synth sounds for modern electronic productions.”
“A strong, layered synth texture”
“The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.
With a unique combination of semi-modular architecture and fixed preset routing, it gave it the place of being one of the most versatile synths of the 1970’s.
A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.
“A typical arpeggiator accepts a chord as input, and plays back each note in the chord separately, with the playback order and speed set by the user.”
“This is a versatile and advanced arpeggiator, capable of creating anything from traditional arpeggios to complex, sequencer-like patterns.”
“ARPS by Umlaut Audio is a percussive virtual instrument for Kontakt and Free Kontakt Player that is intuitive to use and ideal for any composer or sound designer.
Using 4 separate layers of sample based percussive sounds, ARPS provides endless possibilities of rhythmic patterns.
Take control of your tone with ARPS’ fully featured arpeggiator, adjustable FX and set your patterns to whatever timing fits your needs.
There is no virtual arpeggiator instrument available that offers the simplicity and customization as ARPS, making it an essential tool for any composer or sound designer.
“Attack EP88 is the world’s first tacked electric piano library and possibly the most comprehensive electric piano library of any kind. Built on a foundation of over 47,000 samples, Attack EP88 is an incredibly rich sounding and deeply customizable instrument, providing numerous discrete signal paths including DI, tube, contact mic, mono mic and stereo pair, unique envelopes and effects for both the electric and acoustic signals, and discrete voicing and tuning controls for all 88 keys. The only library of its kind, Attack EP88 delivers an entirely new take on the much-loved electric piano sound, in the most user-friendly and comprehensive way we could imagine.”
“Auron expands the sound spectrum with 160 granular synthesis presets for floaty pads, intriguing textures and fascinating new timbres. Yet Auron also gives you the creative freedom to fritter away hours designing new soundscapes; the interface is easy to navigate, yet that simplicity belies the extent of the creative power available. With its arpeggiator module, Auron also lets you generate patterns and phrases from the synth signals. Auron is a one-stop sound generator with the potential to add captivating new sounds to your productions.”
“B-Box is a classic step sequencer for beats and drum tracks: 16 steps, each with velocity control, and 13 instruments provide the tools for quick and easy beat production, while the integrated mixing section lets you tweak your sounds to perfection. Over 300 groove presets each with 6 patterns provide plenty of fodder should you need some inspiration. B-Box also offers integrated effects in the form of reverb and delay, while drag and drop of MIDI files allows easy transfer of patterns to Cubase.”
“The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities.
Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.
“Bad Bad Bass and Bad Bad Lead are full of valve oscillator samples. The main differences between the two synths are the source waveforms – low and aggressive or high and snarly… their primary oscillators are backed up by an additional, filthy, sine wave. In the shape of Drift, Drive, Distortion and Compression you also get Rhythmic Robot’s familiar tools for gaining attention. This little collection scores highly for its raw valve tones and for its simplicity – Sound on Sound magazine”