PingPongDelay
“This is a stereo delay effect that alternates each delay repeat between the left and right channels. The effect can either be tempo-based or use freely specified delay time settings.”
“This is a stereo delay effect that alternates each delay repeat between the left and right channels. The effect can either be tempo-based or use freely specified delay time settings.”
“The Pitch Designer
It´s time for something new…
The multi-band pitch shifter PRISM takes a fresh approach to solve the problem of shifting the pitch of complex sound sources in realtime. Traditional frequency shifting shifts all frequencies in an input up by the same amount and thereby alters their harmonic relation and tends to produce inharmonic results. But it’s perfect in dealing with transients.
Pitch shifting on the other side sounds “right”, but the transients go mad and the sound gets metallic and grainy especially on high down shiftings.
“Prologue is a wonderfully rich-sounding virtual analog synthesizer that will become an indispensable part of your VSTi arsenal. Prologue’s textural range includes lush, detailed pads and bright, acerbic leads and everything in between.
Prologue’s intuitive user interface provides full editing capabilities with access to its three oscillators, powerful multi-mode filter, four envelopes, two LFOs, a powerful modulation matrix, and onboard effects. And because Prologue is polyphonic with up to 128 voices, you’ll (probably) never run out of creative space.
Virtual analog synthesizer with hybrid analog and digital waveforms
3 oscillators
Multi-mode variable resonance filter
4 ADSR envelope generators
2 LFOs
Powerful modulation matrix
On-board effects (Distortion, Delay, Phaser, Flanger, Chorus)”
“Quadrafuzz v2
Letting you dial in anything from a dark, fat fuzz with huge amounts of bit-crushing distortion and delay, to a bright, almost acoustic-sounding warm crunch, Quadrafuzz v2 is your go-to distortion unit for just about any instrument or sound.”
“REVERB, RETHOUGHT
Meet RAUM, your do-it-all creative reverb. Made to sculpt any space, RAUM can do everything from abstract echoes to spacetime-bending ambience in one swift move. It’s your space laboratory, your mix fixer, and your utility tool. It’s simple, flexible – and most importantly, it sounds out of this world.
THREE DIMENSIONS
RAUM’s three modes cover everything from realistic rooms to experimental reflections and sonic space-travel sound design. Whether you’re adding depth to your pads, or want to extract high-fidelity textures from a one-shot sample, it has you covered.
Made with RackAFX
Chapter 6 from the book
‘Designing Audio Effect Plug-Ins in C++’
by Will Pirkle.
“MODULAR DSP LAB
Build custom synths, samplers, effects, and sound design tools
Experiment with rack-style modular patching using Blocks
Discover 70+ included instruments plus thousands of sounds in the User Library
TRUE SONIC PLAYGROUND
REAKTOR 6 is the ultimate creative toolkit for deep sound exploration, featuring cutting-edge DSP and high-fidelity sound.
UNRIVALLED SOUND QUALITY
REAKTOR’s trademark sound quality is unmistakable. From anti-aliased oscillators and ZDF (zero delay feedback) filters to granular synthesis engines, a team of leading developers build every component in REAKTOR from the core level up using the most elegant algorithms. Their relentless pursuit of DSP excellence keeps this sonic toolkit at the head of its class. And everything inside is organized for immediate use in REAKTOR’s macro libraries for fast, creative building sessions. Continue reading Reaktor
“True Stereo reverb tail in REFLECT 2.5
The algorithmic reverb tail of REFLECT is now made with a true stereo processor – this means that the spatial position of the input signal influences the character of the resultant reverb tail. As a nice side effect the new processor gives you an even wider stereo panorama and increased resolution and density in the reverb tail.
To “warm up” the reverb tail an improved modulation algorithm has been added too.
“RoomWorks is a highly adjustable reverb plug-in for creating realistic room ambience and reverb effects in stereo and surround formats. The CPU usage is adjustable to fit the needs of any system. From short room reflections to cavern-sized reverb, this plug-in delivers high quality reverberation.”
“RoomWorks SE is a smaller version of the RoomWorks plug-in. This plug-in delivers high quality reverberation, but has fewer parameters and is less CPU demanding than the full version.”
“Tape Construction Kit
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it…
But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible.
Users familiar with analogue recording gear should instantly feel at home with Satin, and digital aficionados will also learn to love the magic of tape — Satin invites you to explore and find out for yourself.
“Sound Delay is an auxiliary multi-channel signal delaying AAX, AudioUnit and VST plugin for professional sound and music production applications. You may specify delay time in both milliseconds and samples, with a high level of precision. This plugin – being technical in its purpose – provides a basic signal delaying function only, without signal feedback or modulation capabilities.
Sound Delay also features internal mid/side encoding and decoding, and allows you to delay mid and side channels independently.”
“Spector provides exceedingly original yet detailed sounds with its two extremely colorful and versatile spectrum filters, yet also adds the power of up to six oscillators per voice with two different waveforms each. Separate independent spectrum filters process each of the two waveforms, and creating new, unique sounds by simply drawing new filter curves and then shifting or morphing the two filter’s spectrums is pure fun. Spector offers four envelope generators, two LFOs, a powerful modulation matrix and on-board effects.
Up to 6 oscillators per voice
2 variable spectrum filters with morph control
4 ADSR envelope generators
2 LFOs
Powerful modulation matrix
On-board effects (Distortion, Delay, Phaser, Flanger, Chorus)”