“PEERLESS SAMPLING CHARACTER
The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day.
In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself.
“Структура звука
CUBE 2 – это музыкальный инструмент и идеальный инструмент для звукорежиссеров, которые хотят иметь мгновенный и интуитивно понятный доступ ко всем основным компонентам, из которых строится каждый вообразимый звук. Каждый звук может быть разложен на синусоидальный спектр, представляющий гармонические и негармонические составляющие, а также остаточный шумовой спектр для шумовых компонентов. Пространственный характер звука может быть представлен панспектром. Временная эволюция этих трех спектров – очень удобный способ описать каждый звук. CUBE 2 построен на основе этой модели и позволяет вам управлять структурой звука со всеми его компонентами удобным и музыкальным способом.
Ресинтез
Возьмите образец в качестве входных данных, и CUBE 2 проанализирует его на два компонента: до 512 синусоидальных дорожек для частичных компонентов и остаточный спектр для шумовых компонентов. Превосходное качество анализатора для широкого диапазона звуков позволяет избежать типичных артефактов, известных из алгоритмов растяжения / изменения высоты звука и детализации.
“Falcon is an advanced and truly unlimited hybrid instrument, bringing together an extensive collection of cutting-edge oscillators, effects, modulators and event processors and delivering them in a workflow-adaptive and highly-scriptable environment. Falcon allows you to create and manipulate sound with unparalleled precision and finesse, from basic sample slicing and synth design to extravagantly modulated multitimbral hybrids. Falcon runs stand-alone or in your DAW as a plugin, is natively surround capable up to 10.2 channels, can take just about any sound you can throw at it for fuel (and some pictures, too) and is fully compatible with all UVI Powered instruments.
“A NEW FORM
Extend sound creation beyond traditional synthesis, and transform samples into anything you can imagine. Intriguing and playful, FORM offers a refreshing approach to sound creation that delivers beautifully organic and powerful results.
START WITH A SAMPLE
Start creating something new – just drag and drop a sample into the FORM interface. Using a sample as the primary oscillator for the synth engine, FORM lets you craft complex new sounds rapidly. Scrub the sample to discover new worlds within its waveform, then select the section you want to manipulate. Continue reading FORM
“Explore Additive Synthesis
Loom is an award-winning modular additive synthesizer with a shape-shifting Morph Pad that makes it easy to create rich, swirling, and captivating sounds. Loom takes a unique modular approach to additive synthesis, a synthesis technique that involves combining simple waveforms together to create complex sounds, by allowing anyone to select from and combine 30 editable modules. Create anything from wobbles, ethereal pads, ambient soundscapes, and much more. The programmable Morph Pad brings your Loom patches to life by morphing between user-defined variations of your patch, adding motion and momentum that continues to evolve.
“Океан звука
Для всех существ в океане звука – звуковые текстуры из других миров, звуки аналоговой подписи, сквозные соло и гладкие пэды: POSEIDON устанавливает новый стандарт звуков и простоты использования. Все это стало возможным благодаря комбинации знакомой концептуальной простоты аналогового синтеза и нашей новой технологии синтеза F-домена.
Концепция
На первый взгляд POSEIDON выглядит как простой структурированный аналоговый синтезатор «Осциллятор-Фильтр», на котором сразу видны все элементы управления. Это дает POSEIDON простоту использования, практически не требующую обучения. Под капотом работает реальная мощность: осциллятор – это не что иное, как удостоенный наград звуковой генератор спектрального моделирования CUBE. Фильтр с переменным наклоном – это совершенно новая конструкция, основанная на нашем уникальном синтезе F-области. Но пошагово …
“THE CUTTING EDGE
Detailed, dynamic additive synthesis – sharp as a RAZOR
Extreme sonic flexibility and morphability for boundless sound design
Easy-to-use subtractive controls and unique visual feedback
ULTRA-SHARP SYNTHESIZER
The groundbreaking additive synthesis powerhouse, RAZOR delivers powerful sound and cutting edge sonic control.
“MODULAR DSP LAB
Build custom synths, samplers, effects, and sound design tools
Experiment with rack-style modular patching using Blocks
Discover 70+ included instruments plus thousands of sounds in the User Library
TRUE SONIC PLAYGROUND
REAKTOR 6 is the ultimate creative toolkit for deep sound exploration, featuring cutting-edge DSP and high-fidelity sound.
UNRIVALLED SOUND QUALITY
REAKTOR’s trademark sound quality is unmistakable. From anti-aliased oscillators and ZDF (zero delay feedback) filters to granular synthesis engines, a team of leading developers build every component in REAKTOR from the core level up using the most elegant algorithms. Their relentless pursuit of DSP excellence keeps this sonic toolkit at the head of its class. And everything inside is organized for immediate use in REAKTOR’s macro libraries for fast, creative building sessions. Continue reading Reaktor
“DIGITAL DREAM MACHINE
The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.
If you were to ask anyone back in the late ‘70s and early ‘80s to name the Holy Grail of synthesizers, the most revered of them all was New England Digital’s Synclavier. Its unique combination of additive synthesis and frequency modulation delivered a creative edge to the privileged few keyboardists, producers, film composers and sound designers who could afford systems that ranged from $13k to $400k.
Some of those rock-solid systems are still in use today. Arturia has recreated this highly revered hit maker in partnership with original programmer Cameron Jones, delivering the immense rich textures and creative palette of this vintage instrument, while dramatically improving it to let you blaze new musical trails today with sounds never heard before.
Boom, Creative FX Collection Plus, DB-33, Hybrid, Loom, Mini Grand, the RISER, Strike, Structure, Transfuser, Vacuum Pro, Velvet, XPand!
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Analog Lab, ARP2600 V, B-3 V, Buchla Easel V, Clavinet V,
CMI V, CS-80 V, CZ V, DX7 V, Farfisa V, Jup-8 V,
Matrix-12 V, Mellotron, Mini V, Modular V,
Piano V, Pigments, Prophet V, Rev PLATE-140,
SEM V, Solina V, Stage-73 V, Synclavier V, Synthi V,
VOX Continental V, Wurli V
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ABSYNTH, Action Strings, Action Strikes, Balinese Gamelan, Cuba, DAMAGE, Evolve Mutations, FM8, FORM, The Gentleman,
The Giant, India, KINETIC METAL, KONTAKT, KONTOUR, MASSIVE, MASSIVE X, The Maverick, Middle East, MONARK, POLYPLEX, PRISM, RAUM, RAZOR, REAKTOR, Retro Machines MKII, RISE & HIT, ROUNDS, Session Strings Pro 2, SKANNER XT, SPARK, Symphony Essentials, Symphony Series, THRILL, TRK-01,
Una Corda, Vintage Organs, West Africa
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Bark, Cantor, Cube, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, TERA, VTape
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