B-3 V

B-3 V

“The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities.

Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.

Majestic sound

The B-3 V gives you the sound of undisputed organ royalty—roadies not required.

No other organ captured the hearts of keyboardists, spanning so many genres and years. It had the subtlety for jazz at the hands of artists like Jimmy Smith, Joey Defrancesco and John Medeski. It had the grace for gospel, as demonstrated by Elbernita “Twinkie” Clark and Cory Henry. It had the energy to drive the reggae behind the likes of Bob Marley and Jimmy Cliff, and the soul of James Brown and Sly Stone. Most visibly, it had the raw power to hold its own in a rock world as diverse as ELP, Santana, Yes, Pink Floyd, Deep Purple, The Allman Brothers, and Blood, Sweet and Tears.

Whether you’re playing solo, in a group, or in a mix, Arturia’s B-3 V lets you cover the organ parts for any genre using the sound and feel of the real thing.

Main Features

Physical Modeling Engine (no samples)
Dual manual Interface
Each manual has separate MIDI channel preferences
9 Drawbars per manual
3 modeled chorus and vibrato settings
Separate upper and lower ON/OFF
Preamp drive
Modeled rotary speaker emulator
Advanced controls for adjusting the model
Convolution based Reverb
Traditional Leslie performance controls
Swell pedal
Percussion controls
On/off
Volume soft/normal
Slow/Fast decay
Harmonic selection
Output effects where you can change the order
Volume, wah, auto-wah
Flanger
Compressor
Chorus
Analog Delay
New Advanced Drawbar modulators
LFO’s with multiple waveforms and phase
Multipoint envelopes
Step sequencer
Drawbar destinations with positive and negative amount controls
Physical model engine parameters
Drawbar leakage
Tonewheel leakage
Brilliance
Background noise
Polyphonic Percussion
Key click volume
Attack and release controls
86 factory presets
Easy to use MIDI mapping”