Angels Approaching
Lucy
Fast Leslie
Far Fisa
Psychedelica
Melo Strings
Tangram Part 3
Additive Choice
“Analog Lab
ULTIMATE KEYBOARD SOUND COLLECTION
Analog Lab 2 gives you instant access to over 5000 of the best designer sounds from the 17 authentic legendary keyboards in our critically acclaimed V Collection.
Imagine conveniently having all the keyboard and synth sounds you need for a gig or session all in one place on your computer. No racks. No stacks. Analog Lab 2 gives you streamlined tag-based access to 5000+ of the hottest presets from our award-winning V Collection of 17 faithfully modeled vintage keyboards—including combinations and effects. Each preset automatically maps the most important sound parameters to your KeyLab or MiniLab for intuitive tweaking and performance control, and you can easily custom map to any controllers via the MIDI Learn feature. You can even save the presets you need for a gig into a playlist to step through during your sets. Analog Lab 2 is also the command center for all your V Collection keyboards, giving you full editing access to any full instruments you own.
Everything you need for creativity and inspiration is right here in Analog Lab 2. Welcome to your new go-to keyboard sound collection.”
“The Magic Mix
With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music.
With a unique combination of semi-modular architecture and fixed preset routing, it gave it the place of being one of the most versatile synths of the 1970’s.
A Legend is Back
The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.
“The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities.
Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.
“WEST COAST SOUND DESIGN PLAYGROUND
The Buchla Easel V is the first recreation of Don Buchla’s iconic instrument that helped define experimental West Coast modular synthesis in the early ‘70s. Our enhancements translate to vastly expanded possibilities for sound design and avant-garde music.
“THE FUNKIEST ELECTRIC KEYBOARD EVER
The Clavinet V faithfully models the electric keyboard that put the funk in many ‘70s hits. This vintage instrument’s unmistakable sound will help your music jump right out of the speakers. No keyboard collection is complete without it.
The “Clav” sound is so iconic that most keyboards have a patch that tries to emulate it. Why settle for an approximation?
From the first note you play on the Clavinet V, you know this is no sample or synth. You feel that organic grit that only comes from a physical instrument, reproduced in minute detail by our award-winning modeling technology. We recreated the iconic Clavinet D6—including lightning response, multiple pickups, EQ rockers and variable mute. You can even tech your own customizations to age your instrument to taste. Dial in the rest of that coveted vintage sound you’re looking for with the built-in virtual guitar amp and stompbox rig—or just hit the extensive preset library.
“PEERLESS SAMPLING CHARACTER
The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day.
In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself.