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Tag Archives: fx
effects
A-196 PLL Phase Locked Loop
A-196 PLL Phase Locked Loop
“Module A-196 contains a so-called phase locked loop (PLL). The basic PLL system is shown in the sketch at the bottom of this page. A PLL consists of three parts: voltage-controlled oscillator (VCO), phase comparator (PC), and low-pass filter (LPF). All parts are normally connected to form a closed-loop frequency-feedback system. Continue reading A-196 PLL Phase Locked Loop
ABSYNTH
ABSYNTH
“POWERFUL HYBRID SYNTHESIS
ABSYNTH 5 is a synthesizer with exceptional sonic potential. Its specialty is unusual, evolving sounds created using a powerful, hybrid synthesis architecture and sophisticated modulation and effects. Dig in to more than 2,100 presets or start building your very own sound worlds.
ABSYNTH 5 is also a powerful effect plug-in for treating audio using its unique effects bank.
Altus
Altus
“Altus, the Voice of Renaissance
Often misunderstood and wrapped in mystery, the counter tenor is another milestone in Eduardo Tarilonte’s series of exceptional voices. Altus brings you a real counter tenor for your Renaissance and Baroque music productions, for films, documentaries, video games and new age music.
ARPS
ARPS
“ARPS by Umlaut Audio is a percussive virtual instrument for Kontakt and Free Kontakt Player that is intuitive to use and ideal for any composer or sound designer.
Using 4 separate layers of sample based percussive sounds, ARPS provides endless possibilities of rhythmic patterns.
Take control of your tone with ARPS’ fully featured arpeggiator, adjustable FX and set your patterns to whatever timing fits your needs.
There is no virtual arpeggiator instrument available that offers the simplicity and customization as ARPS, making it an essential tool for any composer or sound designer.
B-Box
B-Box
“B-Box is a classic step sequencer for beats and drum tracks: 16 steps, each with velocity control, and 13 instruments provide the tools for quick and easy beat production, while the integrated mixing section lets you tweak your sounds to perfection. Over 300 groove presets each with 6 patterns provide plenty of fodder should you need some inspiration. B-Box also offers integrated effects in the form of reverb and delay, while drag and drop of MIDI files allows easy transfer of patterns to Cubase.”
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Cantus
Cantus
“Cantus, Gregorian Chants
Continuing the vocal series by Eduardo Tarilonte, Cantus offers a real Gregorian Monk Ensemble featuring the sounds of the dark Middle Ages.
A perfect tool for composers and sound designers to create ambiences and music for films, documentaries, video games and new age music.
Chromaphone
Chromaphone
“Resounding hits
Chromaphone strikes in full dynamics with acoustic sharpness and precision.
Melodies, beats, and crazy soundscapes
Chromaphone uses acoustic resonators to create drums, percussion, mallet, string, and other unique instruments. They get sparked into life by a mallet and a flexible noise generator.
Cloud Chamber
Cloud Chamber
“Uniquely evocative… the kicker is the bank of ten harmonically pitched sine waves and their pan / level-modulating Uncertainty knob. Start mixing these in with the three main sounds and things get really weird – in a good way”
Cronk-O-Tron
Cronk-O-Tron
“Cronk-O-tron is part of a new series of ‘MLM Lite’ products I’ll be banging out from time to time for ‘cup of coffee’ prices.
Cronk-O-Tron (as the name suggests) is a cheap and cheerful thing with a dark and crusty old tone. It’s made up of layers of stuff carefully blended to create a vintage/retro kind of strings/voice pad sound – lo-fi and wobbly.
It’s extensively multi-sampled in stereo and each sample was recorded for a minute before having long and luxurious loops applied that allow the sound to ‘breathe’.
Cube
Cube
“The structure of sound
CUBE 2 is a musical instrument and the ultimate tool for sound designers who wish to have instant and intuitive access to all principal components every imaginable sound is build from. Every sound can be decomposed in a sine spectrum representing the harmonic and inharmonic partials and a residual noise spectrum for the noise components. The spatial character of a sound can be represented by a pan spectrum. The temporal evolution of these three spectra is a very convenient way to describe every sound. CUBE 2 is built around this model and allows you to manipulate the structure of a sound with all its components in a comfortable and musical way.
Resynthesis
Take a sample as input and CUBE 2 analyzes it into two components: up to 512 sine tracks for the partial components and the residual spectrum for the noise components. The outstanding quality of the analyzer for a broad range of sounds avoids the typical artifacts known from time stretching/pitch shifting and granular algorithms.
DAMAGE
DAMAGE
“EPIC REDEFINED
30+ GB with 700+ loops, 500+ one-shots, 58 kits
Streamlined workflow for supercharged creativity
Create stings and trailers at the touch of a key
DEVASTATING IMPACT
Dark, aggressive, thrilling and threatening — DAMAGE is breathtaking cinematic percussion with a tense, epic edge. Created by Heavyocity, DAMAGE is a unique instrument combining orchestral percussion, incredible sampled sounds and edgy electronics.
Designed to inspire, DAMAGE delivers jaw-dropping quality in an intuitive and easy-to-use interface. Create dramatic, wide-screen tension with the devastating impact of DAMAGE.
Dark Planet
Dark Planet
“Dark Planet is loaded with hundreds of creepy sounds, shattering loops and eerie instruments, including leads, basses, drums and effects that will inspire and give you the shivers at the same time.
Dark Planet’s earth-shattering sounds are equally suitable for impactful cinematic scores, massive industrial tracks and spacious dark ambient productions.
FFP: First Five Projects
FFP
Made with RackAFX
Chapters 3 & 4 from the book
‘Designing Audio Effect Plug-Ins in C++’
by Will Pirkle.
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FORM
FORM
“A NEW FORM
Extend sound creation beyond traditional synthesis, and transform samples into anything you can imagine. Intriguing and playful, FORM offers a refreshing approach to sound creation that delivers beautifully organic and powerful results.
START WITH A SAMPLE
Start creating something new – just drag and drop a sample into the FORM interface. Using a sample as the primary oscillator for the synth engine, FORM lets you craft complex new sounds rapidly. Scrub the sample to discover new worlds within its waveform, then select the section you want to manipulate. Continue reading FORM